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雪國列車影評

發布時間: 2022-03-12 07:44:36

A. 雪國列車英語影評

【評價】
半意識流電影。
實在不知道該怎麼評價本片,每個鏡頭都彌漫著一種奇怪的感覺。如果說它反映了人類社會的一些問題,但這個思考並不深入,最後的結局也算不上對問題的解決。總體來說是部一般的電影,要講的很多,但是表現方式還是太過單一。原本以為是循環式的東西,沒想到卻是打破舊有。
對於半意識流不感冒的樓主放棄評價,交給喜歡意識流的小夥伴評價吧
註:不是本人評價,如有雷同,,,,

B. 想問下,哪裡的雪國列車影評比較真實呢

毒舌電影吧,這里提供的都是真實的影評,這樣對於咱們選擇好電影的幫助是非常大的,所以你去這里看看雪國列車影評吧。

C. 雪國列車結局到底是什麼意思啊,男主死了嗎其他人呢

男主死了,最後他們發現外面在升溫,那個韓國人想出去,炸葯爆炸,只有那個被抓走的小男孩和那個有超能力的女孩活下來了,繼續繁衍人類

D. 有沒有雪國列車影評英文

雪國列車的英文影評,見附件。

如果手機版看不到附件,請使用電腦版訪問。

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本回答只提供了英文影評,沒有提供視頻下載,不違反知道規范,請管理員放行。


E. 雪國列車影評600字左右

電影名: 《太極旗飄揚》%D%A影評正文:雖然這並不是今夏的新片,但是還是推薦大家看看影片一改以前戰爭片的慣有模式,不是從英雄的角度出發而是從老百姓不得不參戰的痛苦無奈下給大家展示了戰爭的殘酷、無情。%D%A 該影片不僅描繪了那場影響韓國歷史最重要的戰爭,表現普通人家兄弟在戰爭中的手足情,更主要的是它完整的再現了戰爭給朝鮮南北人民帶來的災難。對於這一點,在還是處在分裂狀態下的我們也頗能觸動心弦。%D%A 與中國電影無論商業還是藝術、大眾還是小眾,都喜歡拿老百姓的"毛病"開刀不同,韓國電影無論是喜劇、鬧劇還是動作戲、愛情戲,都彰顯出強烈的民族情結,而以南北戰爭這一大韓民族最重要的歷史事件為題材的《太極旗飄揚》將他們的民族情結發揮到了極至。對歷史厚度的描繪與對戰爭的反思,都凝聚在民族情結之下,從大場面的戰爭戲到細節處的情感戲,觀眾無疑都能強烈地感受到這點,這也是本片吸引人的一個主要情感基調。%D%A《太極旗飄揚》走了條好萊塢戰爭大片的成功模式,從大的情感基調開始,到具體的拍攝製作,大量的戰爭場面與感人的人性細節結合,不惜血本的實景拍攝與後期1/3的CG電腦技術的參與,使它具有的視聽觀影享受不亞於美國大片。%D%A 影片在國內有譯作「生死兄弟」,聽這個名字很容易就能切入主題了。兄長李鎮泰和弟弟李鎮錫攜家帶口逃難的途中被「緊急動員」編入軍隊開赴火線,然後就開始了一段轟轟烈烈大起大落的軍旅生涯。也有人認為這部片子其實根本就是照搬了好萊塢《拯救大兵瑞恩》,但是在我看完之後的感覺卻絕不是「照搬「這么簡單。不得不承認《拯》片的成功帶動了一大批導演的「戰爭熱」,而且也確實影響了以後拍這一類片子的導演。但是,我想說的是沒有任何一部好萊塢的戰爭片會表達出這么情深意濃的只有亞洲人才能理解的「長兄如父」,「手足情深」;也沒有哪一部反映家庭內部情感的內地或港台的影片能放在那麼大那麼復雜的歷史背景下。%D%A 值得一提的是影片中放大了的兄弟倆人。飾演大哥的張東健越來越有國際影星的風范,這位我原以為有些朝張國榮演技風格方面靠譜的韓國明星(現在仍然懷疑陳凱歌新片《無極》使用張東健頂替原本嚮往榮少出演的角色),但從《海岸線》、《兄弟》一路看過來,他越來越有種「周潤發的氣勢」或「李修賢的大哥風范」,而另一演員元斌是像剛成熟時的梁朝偉或張國榮還不好說。尤其是在影片中兩個人的眼神交流,可以與周潤發和張國榮合作過的銀幕形象對比:在黑暗中的戰場上,火炮聲隆隆,在火光映襯下,張東健的眼神像一面鏡子,如寶劍出鞘,反射出臨戰的警覺、兇狠、堅決和鎮定;而元斌的眼神像一汪湖水,似琉璃滾動,折射著混亂的迷茫、悲憫、被動和不願。值得稱贊的還有開始時兩兄弟分吃一根冰棍的片斷,那種征讓、嗔怪和幸福的眼神、笑容和動作,應該會激起有過類似生活細節的觀眾的心底的溫暖。阿Q般的說一句:「現在的韓國影片越來越像八十年代的香港片了。」在這部影片中感覺尤其明顯,強到幻想換成香港拍會是什麼人,什麼樣。和香港八十年代的片子相同,影片中有很多不合邏輯和常規的細節甚至致命傷可以挑,但對喜歡她的人,仍蓋不住那瑕不掩瑜的氣勢逼人和澎湃流暢,我感覺。%D%A 詳細客觀的講明白,對於我個人來講覺得有些難,影片的看問題的立足點和我所接受的教育和國內的資料背景完全的相反,總覺得有種別扭的沖突,看了幾遍也扭不過來。%D%A 真正的好壞也只有看過此片的人才能明白了,但就亞洲戰爭片而言,我迄今為止還沒看到有一部片子能超過此片。%D%A

F. 如何評價雪國列車劇情優秀之處在哪裡

《雪國列車》是一部兼具故事魅力和深度寓意的秀作,劇情優秀之處在於故事框架充實穩固,動作音樂配合接近完美。

(6)雪國列車影評擴展閱讀:

重要人物簡介

1、柯蒂斯(克里斯·埃文斯飾)

角色:革命領袖

他是末節車廂起義的領導者,是位兼具霸氣與堅毅的英雄,他喊出了「我們不是列車奴隸」的口號。

2、南宮民秀(宋康昊飾)

角色:列車上唯一的開鎖專家

他是一名沉著干練的「開鎖專家」,「我要打開緊閉的大門」是他的最大任務,雖然他衣衫襤褸,但他的眼神比任何人更充滿渴望。

3、曼森(蒂爾達·斯文頓飾)

角色:列車二把手

她是個乖張復雜的女性,身為列車上終極Boss的代言人,她的一襲皮草對應了末節車廂里人們殘破不堪的裹身布,更顯出她的冷漠與犀利,她日以繼夜地宣揚要效忠Wilford——列車上的獨裁者。

4、維爾福德(艾德·哈里斯飾)

角色:列車獨裁者

這位終極Boss隱沒在黑暗中,他的側影透露著強大而神秘的威懾力,他強有力的灌輸給大家:「列車是永恆的」。

G. 雪國列車800字觀後感

由《漢江怪物》導演奉俊昊執導、朴贊郁製片,「美國隊長」克里斯·埃文斯,奧斯卡最佳女配角得主、在《納尼亞傳奇》中飾演冰雪皇後的蒂爾達·斯文頓,以及韓國最具票房號召力的實力影帝宋康昊領銜主演的好萊塢災難科幻動作巨制《雪國列車》已正式定檔3月17日正式公映。繼監獄艙、末艙特輯後,《雪國列車》日前曝光了前艙特輯,「冰雪皇後」蒂爾達·斯文頓極致扮丑飾演反派角色「梅森」,奉俊昊導演則評價道「這是片中最戲劇化的人物」。

「冰雪皇後」極致扮丑飾反派 「梅森」:「噩夢一樣的怪物」

《雪國列車》今日發布的特輯曝光了三位列車前艙角色,而作為主演之一的蒂爾達·斯文頓可謂是「最搶風頭」。她所飾演的反派角色「梅森」是列車上的二把手,並被導演奉俊昊形容為「列車上最戲劇化的角色,像變色龍一樣」。蒂爾達·斯文頓對自己飾演的角色是這樣描述的:「梅森有種潘多拉盒子的感覺,列車領導者身上最糟糕的一面都混合在她身上,噩夢一樣的怪物。一方面,梅森製造恐懼,而另一方面,借用導演的話來說,她又有『可愛』的一面。」

同時,奉俊昊導演還爆料了一件趣事:「起初,『梅森』的角色設定為男性,但是因為蒂爾達·斯文頓,才給角色更換了性別。」

「冰雪皇後」「情定」奉俊昊 合作夙願終達成

在《納尼亞傳奇》中飾演「冰雪皇後」的英國演員蒂爾達·斯文頓的參演過程十分有趣。早在2009年釜山國際電影節上,她就找過奉俊昊導演,並明確表示:「看完《漢江怪物》之後,我就想跟你一起合作。」這件事也得到觀眾與媒體的持續關注。在後來的戛納電影節上兩人再次會晤,為隨後《雪國列車》的合作建立起信賴的基礎。這位「奧斯卡最佳女配角」得主也如願搭上了「雪國列車」。

除蒂爾達外,前艙特輯中飾演教室艙老師的愛麗森·皮爾、與飾演終極Boss「威爾福德」的艾德·哈里斯也在視頻中露面,性格迥異又各具特色的前艙代表人物逐一登場,作為末艙反抗者突進之旅的最大敵人,前艙陣營的各角色將在片中製造出一個又一個「致命阻截」。

由CJ Entertainment出品,《漢江怪物》導演奉俊昊執導、朴贊郁製片,「美國隊長」克里斯·埃文斯,奧斯卡最佳女配角得主、在《納尼亞傳奇》中飾演冰雪皇後的蒂爾達·斯文頓,以及韓國實力影帝宋康昊領銜主演的好萊塢末世科幻動作巨制《雪國列車》日前發布了前艙特輯,蒂爾達·斯文頓極致扮丑出鏡飾演大反派。《雪國列車》已正式定檔3月17日內地公映。

H. 雪國列車影評,100字左右急需!

「破雪者號」本身就是人類社會的一個縮影,影片一開始就利用各種強烈的對比,把窮人和富人,有權者和無權者階級沖突表現得淋漓盡致。然而階級並非社會的全部,隨著革命者從末尾向車頭挺近,影片表現的階層逐漸升高,個體自由與整體生存之間的矛盾也逐漸凸顯。起義領袖柯蒂斯從革命一開始就表明了自己「不自由,毋寧死」的決心,在車廂肉搏一段戲里,他為了生擒人質不惜犧牲自己的兄弟,達到了為大我而獻身的崇高境界。但在影片末尾,在經歷了「平衡論」的洗禮之後,他毅然做出了車毀人亡的「非理性」選擇,表明他在自由地死去和蛆蟲一般活著之間選擇了前者。全人類為此付出了慘烈的代價,但倖存者贏得了生而為人的尊嚴。

I. 介紹雪國列車中英文影評翻譯

《雪國列車》(朝鮮語:설국열차,英語:Snowpiercer)是一部2013年上映的韓國科幻電影,韓國導演奉俊昊的首部英語電影,並由朴贊郁監制,根據法國雅克·勒布(Jacques Lob)的科幻漫畫《Le Transperceneige》改編,聚集美、英、韓三國多名影星演出。因為全球暖化,人類打造出一台名為CW7機器來調節氣溫,但是最後失敗導致全球氣溫驟降。僅存的人類都乘坐在諾亞方舟般的列車里,這台自給自足,能永恆不滅地運轉下去的列車卻存在兩種截然不同的生活,前區的人奢華度日,後區的人被壓榨,只能勞苦工作。末節車廂的人們不堪忍受如戰俘收容所般的惡劣環境,決定起來反抗。叛軍領袖寇帝斯(Curtis)策劃利用一場暴動來奪取神秘殘暴獨裁者威佛(Wilford)所掌控火車命脈的引擎區,首先他要解救被囚禁起來的掌鑰人,也就是設計這輛列車的南宮民秀,不過暴動計劃也因為橫生枝節的意外變得更加險峻。本片在媒體試映後得到了大部分媒體的積極肯定,其中歐美媒體對影片的特效與獨到風格予以盛贊,韓國媒體則認為影片價值觀和故事性仍帶有鮮明的奉俊昊烙印。《綜藝》雜志稱它是「一部野心勃勃、視效極佳、內涵豐富、非常令人滿意的未來史詩」,並盛贊導演為「來自韓國的天才導演」。Twitchfilm網站認為「西方主流觀眾是否能接受這種黑暗殘忍的類型還未可知,不過奉俊昊已經以自己的方式擊敗了好萊塢。《雪國列車》講述了一個絕佳的末日科幻故事,是一次非常獨特和令人激動的觀影體驗。」

Snowpiercer (Korean: 설국열차; hanja: 雪國列車; RR: Seolgungnyeolcha) is a 2013 South Korean science fiction action film based on the French graphic novel Le Transperceneige by Jacques Lob, Benjamin Legrand and Jean-Marc Rochette.[3] The film is directed by Bong Joon-ho,[4][5] and written by Bong and Kelly Masterson. The film marks Bong's English-language debut; approximately 80% of the film was shot in English.The film stars Chris Evans, Song Kang-ho, Tilda Swinton, Jamie Bell, Octavia Spencer, John Hurt, and Ed Harris.
In 2014, an experiment to counteract global warming causes an ice age that kills nearly all life on Earth. The only survivors are the inhabitants of the Snowpiercer, a massive train powered by aperpetual-motion engine that travels on a globe-spanning track. A class system is installed, with the elites inhabiting the front of the train and the poor inhabiting the tail.
In 2031, the tail inhabitants prepare for the latest in a series of rebellions. Guards arrive periodically to deliver protein blocks for food, and take some of the children. During the guards』 next visit, Curtis Everett (Evans) leads the tail inhabitants in revolt, forcing their way through several train cars to the prison section. There, they release prisoner Namgoong Minsu (Song), the man who built the security system that controls the doors dividing each car, and his clairvoyant daughter Yona. They offer him uncut Kronole, a drug that both he and his daughter are addicted to, as payment for unlocking each of the remaining doors.
One of the cars is filled with armed men. Under the orders of Minister Mason (Swinton), the men battle Curtis' forces. Curtis' side prevails, and he captures Mason, but he is forced to sacrifice his second-in-command, Edgar, to do so. Mason agrees to lead the group through the high-class cars in exchange for her life. In the school car, the teacher points out seven frozen rebels through the window. She and a henchman then draw machine guns, slaughtering many of Curtis' followers, and executing his mentor Gilliam. Curtis then kills Mason.
Curtis, his few remaining followers, and Namgoong and Yona continue through the train, discovering the extravagance in which the elites have been living while the poor wallowed in squalor. One of Mason's henchmen, Franco the Elder, kills the rest of Curtis' followers, before the henchman is himself seemingly killed. Curtis resolves to complete his mission, accompanied by Namgoong and Yona. The trio moves through the remaining cars where the elite inlge in food, partying and Kronole; Namgoong steals much of this Kronole from the inebriated revelers. As they arrive at the Engine door, Namgoong suggests they use the collected Kronole, made from explosive chemical waste, to blow open the side of the train, and escape into the outside. Namgoong explains that every year, the train has passed a crashed plane buried in snow, which has become less buried with each passing year, suggesting that Earth is warming, and that survival outside is now possible.
Curtis explains why he must confront Wilford, creator of the train and its hierarchy. When the tail dwellers first boarded the train, they were deprived of food, water, and supplies, and in crowded conditions, forcing them to turn to cannibalism. Before the introction of the protein blocks, Curtis had kidnapped an infant Edgar to eat him, and killed his mother, before Gilliam cut his own arm off and offered it in Edgar's place. Namgoong resolves to use the explosive, but the engine door opens, and Namgoong is shot and wounded by Wilford's assistant Claude, who forces Curtis inside. Curtis confronts Wilford, who explains that the revolution was orchestrated between himself and Gilliam as a means of population control, necessary to maintaining balance aboard the train for supplies, but Curtis was too successful and Wilford's own losses too great, so he executed Gilliam as punishment. The aging Wilford says that he wants Curtis to replace him as the train's overseer, while in the tail, Wilford's henchmen execute 74% of the inhabitants.
Meanwhile, Yona and the recovered Namgoong fight off the irate partiers and Franco (who survived the previous fight). Yona knocks Claude unconscious, gets inside the engine room and pulls up the floor to reveal that Wilford is using the tail children as slave labor, to replace the train's failing components. Outraged, Curtis sacrifices his arm to block the train gears, freeing one of the children, Timmy. Yona recovers the explosive from Claude and ignites it, before retreating into the engine with Namgoong. The damaged engine door fails to close, and Namgoong and Curtis sacrifice themselves to shield Yona and Timmy from the resulting explosive fire. The explosion sound wave causes an avalanche in the surrounding mountains that strikes and derails the train, destroying many of the cars. In the aftermath, Yona and Timmy step outside into the snow. In the distance Yona spots a polar bear, revealing that life exists outside the train.
Since its South Korean opening, the film has earned US$86.7 million worldwide.[169] As of April 2014, it is the tenth highest-grossing domestic film in South Korea with 9,350,141 admissions.[170] The film holds the domestic record for the fastest movie (domestic and foreign) to reach four million admissions, which it achieved in its fifth day after premiere, and another record for the highest weekend figure (from Friday to Sunday) for a Korean film, with 2.26 million viewers.[171] The film took in a total of $171,187 on its US opening weekend, averaging $21,398 per theater.[172] The film grossed US$59,802,711 in South Korea and its largest international market was China, with $11,100,000
James Rocchi of Film.com wrote that, "If the film has one element that never flags or falters, it's Evans." [184]
Scott Foundas of Variety wrote, "An enormously ambitious, visually stunning and richly satisfying futuristic epic from the gifted Korean genre director Bong Joon-ho." Foundas added that Beltrami』s original score was "among the generally impeccable craft contributions [to the film]."

J. 地球上最後倖存的人類,《雪國列車》的結局是希望還是絕望

個人認為,《雪國列車》這部科幻電影更像是寓言類電影,這是一個「無情」的的故事。