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雪国列车影评

发布时间: 2022-03-12 07:44:36

A. 雪国列车英语影评

【评价】
半意识流电影。
实在不知道该怎么评价本片,每个镜头都弥漫着一种奇怪的感觉。如果说它反映了人类社会的一些问题,但这个思考并不深入,最后的结局也算不上对问题的解决。总体来说是部一般的电影,要讲的很多,但是表现方式还是太过单一。原本以为是循环式的东西,没想到却是打破旧有。
对于半意识流不感冒的楼主放弃评价,交给喜欢意识流的小伙伴评价吧
注:不是本人评价,如有雷同,,,,

B. 想问下,哪里的雪国列车影评比较真实呢

毒舌电影吧,这里提供的都是真实的影评,这样对于咱们选择好电影的帮助是非常大的,所以你去这里看看雪国列车影评吧。

C. 雪国列车结局到底是什么意思啊,男主死了吗其他人呢

男主死了,最后他们发现外面在升温,那个韩国人想出去,炸药爆炸,只有那个被抓走的小男孩和那个有超能力的女孩活下来了,继续繁衍人类

D. 有没有雪国列车影评英文

雪国列车的英文影评,见附件。

如果手机版看不到附件,请使用电脑版访问。

***********************

本回答只提供了英文影评,没有提供视频下载,不违反知道规范,请管理员放行。


E. 雪国列车影评600字左右

电影名: 《太极旗飘扬》%D%A影评正文:虽然这并不是今夏的新片,但是还是推荐大家看看影片一改以前战争片的惯有模式,不是从英雄的角度出发而是从老百姓不得不参战的痛苦无奈下给大家展示了战争的残酷、无情。%D%A 该影片不仅描绘了那场影响韩国历史最重要的战争,表现普通人家兄弟在战争中的手足情,更主要的是它完整的再现了战争给朝鲜南北人民带来的灾难。对于这一点,在还是处在分裂状态下的我们也颇能触动心弦。%D%A 与中国电影无论商业还是艺术、大众还是小众,都喜欢拿老百姓的"毛病"开刀不同,韩国电影无论是喜剧、闹剧还是动作戏、爱情戏,都彰显出强烈的民族情结,而以南北战争这一大韩民族最重要的历史事件为题材的《太极旗飘扬》将他们的民族情结发挥到了极至。对历史厚度的描绘与对战争的反思,都凝聚在民族情结之下,从大场面的战争戏到细节处的情感戏,观众无疑都能强烈地感受到这点,这也是本片吸引人的一个主要情感基调。%D%A《太极旗飘扬》走了条好莱坞战争大片的成功模式,从大的情感基调开始,到具体的拍摄制作,大量的战争场面与感人的人性细节结合,不惜血本的实景拍摄与后期1/3的CG电脑技术的参与,使它具有的视听观影享受不亚于美国大片。%D%A 影片在国内有译作“生死兄弟”,听这个名字很容易就能切入主题了。兄长李镇泰和弟弟李镇锡携家带口逃难的途中被“紧急动员”编入军队开赴火线,然后就开始了一段轰轰烈烈大起大落的军旅生涯。也有人认为这部片子其实根本就是照搬了好莱坞《拯救大兵瑞恩》,但是在我看完之后的感觉却绝不是“照搬“这么简单。不得不承认《拯》片的成功带动了一大批导演的“战争热”,而且也确实影响了以后拍这一类片子的导演。但是,我想说的是没有任何一部好莱坞的战争片会表达出这么情深意浓的只有亚洲人才能理解的“长兄如父”,“手足情深”;也没有哪一部反映家庭内部情感的内地或港台的影片能放在那么大那么复杂的历史背景下。%D%A 值得一提的是影片中放大了的兄弟俩人。饰演大哥的张东健越来越有国际影星的风范,这位我原以为有些朝张国荣演技风格方面靠谱的韩国明星(现在仍然怀疑陈凯歌新片《无极》使用张东健顶替原本向往荣少出演的角色),但从《海岸线》、《兄弟》一路看过来,他越来越有种“周润发的气势”或“李修贤的大哥风范”,而另一演员元斌是像刚成熟时的梁朝伟或张国荣还不好说。尤其是在影片中两个人的眼神交流,可以与周润发和张国荣合作过的银幕形象对比:在黑暗中的战场上,火炮声隆隆,在火光映衬下,张东健的眼神像一面镜子,如宝剑出鞘,反射出临战的警觉、凶狠、坚决和镇定;而元斌的眼神像一汪湖水,似琉璃滚动,折射着混乱的迷茫、悲悯、被动和不愿。值得称赞的还有开始时两兄弟分吃一根冰棍的片断,那种征让、嗔怪和幸福的眼神、笑容和动作,应该会激起有过类似生活细节的观众的心底的温暖。阿Q般的说一句:“现在的韩国影片越来越像八十年代的香港片了。”在这部影片中感觉尤其明显,强到幻想换成香港拍会是什么人,什么样。和香港八十年代的片子相同,影片中有很多不合逻辑和常规的细节甚至致命伤可以挑,但对喜欢她的人,仍盖不住那瑕不掩瑜的气势逼人和澎湃流畅,我感觉。%D%A 详细客观的讲明白,对于我个人来讲觉得有些难,影片的看问题的立足点和我所接受的教育和国内的资料背景完全的相反,总觉得有种别扭的冲突,看了几遍也扭不过来。%D%A 真正的好坏也只有看过此片的人才能明白了,但就亚洲战争片而言,我迄今为止还没看到有一部片子能超过此片。%D%A

F. 如何评价雪国列车剧情优秀之处在哪里

《雪国列车》是一部兼具故事魅力和深度寓意的秀作,剧情优秀之处在于故事框架充实稳固,动作音乐配合接近完美。

(6)雪国列车影评扩展阅读:

重要人物简介

1、柯蒂斯(克里斯·埃文斯饰)

角色:革命领袖

他是末节车厢起义的领导者,是位兼具霸气与坚毅的英雄,他喊出了“我们不是列车奴隶”的口号。

2、南宫民秀(宋康昊饰)

角色:列车上唯一的开锁专家

他是一名沉着干练的“开锁专家”,“我要打开紧闭的大门”是他的最大任务,虽然他衣衫褴褛,但他的眼神比任何人更充满渴望。

3、曼森(蒂尔达·斯文顿饰)

角色:列车二把手

她是个乖张复杂的女性,身为列车上终极Boss的代言人,她的一袭皮草对应了末节车厢里人们残破不堪的裹身布,更显出她的冷漠与犀利,她日以继夜地宣扬要效忠Wilford——列车上的独裁者。

4、维尔福德(艾德·哈里斯饰)

角色:列车独裁者

这位终极Boss隐没在黑暗中,他的侧影透露着强大而神秘的威慑力,他强有力的灌输给大家:“列车是永恒的”。

G. 雪国列车800字观后感

由《汉江怪物》导演奉俊昊执导、朴赞郁制片,“美国队长”克里斯·埃文斯,奥斯卡最佳女配角得主、在《纳尼亚传奇》中饰演冰雪皇后的蒂尔达·斯文顿,以及韩国最具票房号召力的实力影帝宋康昊领衔主演的好莱坞灾难科幻动作巨制《雪国列车》已正式定档3月17日正式公映。继监狱舱、末舱特辑后,《雪国列车》日前曝光了前舱特辑,“冰雪皇后”蒂尔达·斯文顿极致扮丑饰演反派角色“梅森”,奉俊昊导演则评价道“这是片中最戏剧化的人物”。

“冰雪皇后”极致扮丑饰反派 “梅森”:“噩梦一样的怪物”

《雪国列车》今日发布的特辑曝光了三位列车前舱角色,而作为主演之一的蒂尔达·斯文顿可谓是“最抢风头”。她所饰演的反派角色“梅森”是列车上的二把手,并被导演奉俊昊形容为“列车上最戏剧化的角色,像变色龙一样”。蒂尔达·斯文顿对自己饰演的角色是这样描述的:“梅森有种潘多拉盒子的感觉,列车领导者身上最糟糕的一面都混合在她身上,噩梦一样的怪物。一方面,梅森制造恐惧,而另一方面,借用导演的话来说,她又有‘可爱’的一面。”

同时,奉俊昊导演还爆料了一件趣事:“起初,‘梅森’的角色设定为男性,但是因为蒂尔达·斯文顿,才给角色更换了性别。”

“冰雪皇后”“情定”奉俊昊 合作夙愿终达成

在《纳尼亚传奇》中饰演“冰雪皇后”的英国演员蒂尔达·斯文顿的参演过程十分有趣。早在2009年釜山国际电影节上,她就找过奉俊昊导演,并明确表示:“看完《汉江怪物》之后,我就想跟你一起合作。”这件事也得到观众与媒体的持续关注。在后来的戛纳电影节上两人再次会晤,为随后《雪国列车》的合作建立起信赖的基础。这位“奥斯卡最佳女配角”得主也如愿搭上了“雪国列车”。

除蒂尔达外,前舱特辑中饰演教室舱老师的爱丽森·皮尔、与饰演终极Boss“威尔福德”的艾德·哈里斯也在视频中露面,性格迥异又各具特色的前舱代表人物逐一登场,作为末舱反抗者突进之旅的最大敌人,前舱阵营的各角色将在片中制造出一个又一个“致命阻截”。

由CJ Entertainment出品,《汉江怪物》导演奉俊昊执导、朴赞郁制片,“美国队长”克里斯·埃文斯,奥斯卡最佳女配角得主、在《纳尼亚传奇》中饰演冰雪皇后的蒂尔达·斯文顿,以及韩国实力影帝宋康昊领衔主演的好莱坞末世科幻动作巨制《雪国列车》日前发布了前舱特辑,蒂尔达·斯文顿极致扮丑出镜饰演大反派。《雪国列车》已正式定档3月17日内地公映。

H. 雪国列车影评,100字左右急需!

“破雪者号”本身就是人类社会的一个缩影,影片一开始就利用各种强烈的对比,把穷人和富人,有权者和无权者阶级冲突表现得淋漓尽致。然而阶级并非社会的全部,随着革命者从末尾向车头挺近,影片表现的阶层逐渐升高,个体自由与整体生存之间的矛盾也逐渐凸显。起义领袖柯蒂斯从革命一开始就表明了自己“不自由,毋宁死”的决心,在车厢肉搏一段戏里,他为了生擒人质不惜牺牲自己的兄弟,达到了为大我而献身的崇高境界。但在影片末尾,在经历了“平衡论”的洗礼之后,他毅然做出了车毁人亡的“非理性”选择,表明他在自由地死去和蛆虫一般活着之间选择了前者。全人类为此付出了惨烈的代价,但幸存者赢得了生而为人的尊严。

I. 介绍雪国列车中英文影评翻译

《雪国列车》(朝鲜语:설국열차,英语:Snowpiercer)是一部2013年上映的韩国科幻电影,韩国导演奉俊昊的首部英语电影,并由朴赞郁监制,根据法国雅克·勒布(Jacques Lob)的科幻漫画《Le Transperceneige》改编,聚集美、英、韩三国多名影星演出。因为全球暖化,人类打造出一台名为CW7机器来调节气温,但是最后失败导致全球气温骤降。仅存的人类都乘坐在诺亚方舟般的列车里,这台自给自足,能永恒不灭地运转下去的列车却存在两种截然不同的生活,前区的人奢华度日,后区的人被压榨,只能劳苦工作。末节车厢的人们不堪忍受如战俘收容所般的恶劣环境,决定起来反抗。叛军领袖寇帝斯(Curtis)策划利用一场暴动来夺取神秘残暴独裁者威佛(Wilford)所掌控火车命脉的引擎区,首先他要解救被囚禁起来的掌钥人,也就是设计这辆列车的南宫民秀,不过暴动计划也因为横生枝节的意外变得更加险峻。本片在媒体试映后得到了大部分媒体的积极肯定,其中欧美媒体对影片的特效与独到风格予以盛赞,韩国媒体则认为影片价值观和故事性仍带有鲜明的奉俊昊烙印。《综艺》杂志称它是“一部野心勃勃、视效极佳、内涵丰富、非常令人满意的未来史诗”,并盛赞导演为“来自韩国的天才导演”。Twitchfilm网站认为“西方主流观众是否能接受这种黑暗残忍的类型还未可知,不过奉俊昊已经以自己的方式击败了好莱坞。《雪国列车》讲述了一个绝佳的末日科幻故事,是一次非常独特和令人激动的观影体验。”

Snowpiercer (Korean: 설국열차; hanja: 雪国列车; RR: Seolgungnyeolcha) is a 2013 South Korean science fiction action film based on the French graphic novel Le Transperceneige by Jacques Lob, Benjamin Legrand and Jean-Marc Rochette.[3] The film is directed by Bong Joon-ho,[4][5] and written by Bong and Kelly Masterson. The film marks Bong's English-language debut; approximately 80% of the film was shot in English.The film stars Chris Evans, Song Kang-ho, Tilda Swinton, Jamie Bell, Octavia Spencer, John Hurt, and Ed Harris.
In 2014, an experiment to counteract global warming causes an ice age that kills nearly all life on Earth. The only survivors are the inhabitants of the Snowpiercer, a massive train powered by aperpetual-motion engine that travels on a globe-spanning track. A class system is installed, with the elites inhabiting the front of the train and the poor inhabiting the tail.
In 2031, the tail inhabitants prepare for the latest in a series of rebellions. Guards arrive periodically to deliver protein blocks for food, and take some of the children. During the guards’ next visit, Curtis Everett (Evans) leads the tail inhabitants in revolt, forcing their way through several train cars to the prison section. There, they release prisoner Namgoong Minsu (Song), the man who built the security system that controls the doors dividing each car, and his clairvoyant daughter Yona. They offer him uncut Kronole, a drug that both he and his daughter are addicted to, as payment for unlocking each of the remaining doors.
One of the cars is filled with armed men. Under the orders of Minister Mason (Swinton), the men battle Curtis' forces. Curtis' side prevails, and he captures Mason, but he is forced to sacrifice his second-in-command, Edgar, to do so. Mason agrees to lead the group through the high-class cars in exchange for her life. In the school car, the teacher points out seven frozen rebels through the window. She and a henchman then draw machine guns, slaughtering many of Curtis' followers, and executing his mentor Gilliam. Curtis then kills Mason.
Curtis, his few remaining followers, and Namgoong and Yona continue through the train, discovering the extravagance in which the elites have been living while the poor wallowed in squalor. One of Mason's henchmen, Franco the Elder, kills the rest of Curtis' followers, before the henchman is himself seemingly killed. Curtis resolves to complete his mission, accompanied by Namgoong and Yona. The trio moves through the remaining cars where the elite inlge in food, partying and Kronole; Namgoong steals much of this Kronole from the inebriated revelers. As they arrive at the Engine door, Namgoong suggests they use the collected Kronole, made from explosive chemical waste, to blow open the side of the train, and escape into the outside. Namgoong explains that every year, the train has passed a crashed plane buried in snow, which has become less buried with each passing year, suggesting that Earth is warming, and that survival outside is now possible.
Curtis explains why he must confront Wilford, creator of the train and its hierarchy. When the tail dwellers first boarded the train, they were deprived of food, water, and supplies, and in crowded conditions, forcing them to turn to cannibalism. Before the introction of the protein blocks, Curtis had kidnapped an infant Edgar to eat him, and killed his mother, before Gilliam cut his own arm off and offered it in Edgar's place. Namgoong resolves to use the explosive, but the engine door opens, and Namgoong is shot and wounded by Wilford's assistant Claude, who forces Curtis inside. Curtis confronts Wilford, who explains that the revolution was orchestrated between himself and Gilliam as a means of population control, necessary to maintaining balance aboard the train for supplies, but Curtis was too successful and Wilford's own losses too great, so he executed Gilliam as punishment. The aging Wilford says that he wants Curtis to replace him as the train's overseer, while in the tail, Wilford's henchmen execute 74% of the inhabitants.
Meanwhile, Yona and the recovered Namgoong fight off the irate partiers and Franco (who survived the previous fight). Yona knocks Claude unconscious, gets inside the engine room and pulls up the floor to reveal that Wilford is using the tail children as slave labor, to replace the train's failing components. Outraged, Curtis sacrifices his arm to block the train gears, freeing one of the children, Timmy. Yona recovers the explosive from Claude and ignites it, before retreating into the engine with Namgoong. The damaged engine door fails to close, and Namgoong and Curtis sacrifice themselves to shield Yona and Timmy from the resulting explosive fire. The explosion sound wave causes an avalanche in the surrounding mountains that strikes and derails the train, destroying many of the cars. In the aftermath, Yona and Timmy step outside into the snow. In the distance Yona spots a polar bear, revealing that life exists outside the train.
Since its South Korean opening, the film has earned US$86.7 million worldwide.[169] As of April 2014, it is the tenth highest-grossing domestic film in South Korea with 9,350,141 admissions.[170] The film holds the domestic record for the fastest movie (domestic and foreign) to reach four million admissions, which it achieved in its fifth day after premiere, and another record for the highest weekend figure (from Friday to Sunday) for a Korean film, with 2.26 million viewers.[171] The film took in a total of $171,187 on its US opening weekend, averaging $21,398 per theater.[172] The film grossed US$59,802,711 in South Korea and its largest international market was China, with $11,100,000
James Rocchi of Film.com wrote that, "If the film has one element that never flags or falters, it's Evans." [184]
Scott Foundas of Variety wrote, "An enormously ambitious, visually stunning and richly satisfying futuristic epic from the gifted Korean genre director Bong Joon-ho." Foundas added that Beltrami’s original score was "among the generally impeccable craft contributions [to the film]."

J. 地球上最后幸存的人类,《雪国列车》的结局是希望还是绝望

个人认为,《雪国列车》这部科幻电影更像是寓言类电影,这是一个“无情”的的故事。